Superheroes work for free

The comic superheroes, while soothing function as economic distress, show actors working for free.

I can say with unequivocally, that art is an anxiolytic natural precursor of psychoactive drugs.

Would not surprise me that someone has already thought how to relate the collective moods with accompanying artistic styles.

Among the great depression of 1930 economy in the United States and the beginning of World War II, there were the comics of Superman and Batman.

Consumption of these products is massive and not by pure will, but because they are soothing, although colloquially say that are fun, entertaining, funny ... In fact the genre is called comic.

If we read in booms seem fanciful that if we read when we are really distressed by the socio-economic hardships.

The super characters are individuals who have a sad story as a child and later, driven by desires with which we can identify (revenge, hatred, justice), become persons endowed with super powers that solve important problems, although, it is appropriate to recognize it, never saw Batman or Superman are concerned about end war or global poverty.

They are individuals working alone (Robin has a similar importance to the boys 'alcanzapelotas' tennis), but that resolve situations involving large populations.

Both have a split personality (which differs by the dress and attitude) and are single, never seriously end up getting involved with a woman, thanks to which homosexuals can also be identified with them.

If they work as anxiolytics is because we can identify with them and imagine super powerful precisely when we are studying periods of social and economic distress.

The adverse side effect is working for free.

Note: Original in Spanish (without translation by Google: Los súper héroes trabajan gratis.

 

Artículo de Wikipedia sobre Superhéroes 

(This is the Article Nº 1.662)

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